Skip to main content
OpenNRCS

Every story, from wire to air, in one workspace

A wire item, a broadcast script, a show clock, and a published article are usually four tools that drop context at every handoff. OpenNRCS makes them four views of one story, carried from the moment it lands on the wire, through writing and editorial review, into a timed rundown, on air, and out to the web and social platforms.

Available to MediaGuard partners

The problem

Five tools, four places to lose the story

Newsroom work has traditionally been split across a wire terminal, a script editor, a rundown application, a web CMS, and a social scheduler. Every boundary between them is a re-keyed headline, a timing that no longer matches, a correction that reaches air but never the website. OpenNRCS removes the boundaries by making every stage a view of one story record.

How it works

From wire to air, one record the whole way

A story can enter from any direction, promoted from a wire item or pitched on the assignment desk, and every module keeps pointing at the same underlying record.

  1. Stage 1

    Feed

    AFP, Reuters Connect, RSS, and Google News land in one live stream. An AI pass tags each open-feed item with a priority and a category and reformats it into clean Markdown, word for word. Promote any item into a story, pre-linked to its source.

  2. Stage 2

    Story

    A story is written once and angled three ways: a TV script of typed blocks, a web article, and a social post. Spoken blocks time themselves at broadcast read rate, and clips lock to their real length, keeping the run time trustworthy.

  3. Stage 3

    Rundown

    Stories drop into lettered segments against live timing columns: front time, back time, and over/under. Readiness chips show what is approved at a glance. Go live and advance story by story against the show clock.

  4. Stage 4

    Publish

    Approved web and social angles reach their destinations through an SEO editor with live previews, covering CMS platforms and social targets, each built from the matching angle.

One story, three angles

Written once. Angled three ways.

The three angles are tabs of one record, not three documents in three tools. Edit the story once and every angle stays in step; a correction made for air reaches the website too.

One recordStory
  • TV script

    Typed blocks, timed to the second.

  • Web article

    Headline, dek, and body for the site.

  • Social post

    A platform-ready post and card.

Inside the workspace

The desk, the AI, and the clock

The same record carries through assignment, AI assistance, and timing, configured by the newsroom itself.

AI the newsroom steers

Three prompts the editorial team owns set the editorial direction, the anchor-read style, and the voice-over style. Every draft reads them, comes at the depth you choose, and writes the TV script, the web article, and the social post in one pass.

The assignment desk

Assignments run on a board from pitch through published. Every card is born with a story attached, and from then on story status and desk stage move together, with assignees, due dates, and field resources on each card.

Timed to the second

Spoken blocks time themselves from the text at broadcast read rate, and attaching a clip locks a block to its real length. The run time is built into the writing, and a story reaches the rundown already trustworthy.

One workspace

Everyone looking at the same story

Shared by the whole team

The producer building the rundown, the reporter writing the script, and the editor watching the desk are looking at the same data, not exporting it between tools.

Configured by the newsroom

AI prompts, feed sources, rundown templates, and CG templates are part of the workspace, which means the system's behavior is set by the newsroom itself.

Right-to-left aware

The whole editor handles Arabic and other right-to-left scripts, from the wire copy through the script to the published article.

One record, no re-keying

A correction made once reaches the script, the rundown, and every published angle, because they are views of a single record.

Who it is for

Built for desks that publish everywhere

Broadcast

Broadcast newsrooms

Producers, reporters, and editors who put a daily show on air share one workspace: the feed, the scripts, the rundown clock, and the assignment desk all point at the same stories.

Converged

Converged desks

Desks that produce TV, web, and social from one team write the story once, angle it three ways, and publish each angle to its destination without leaving the workspace.

Bring your newsroom onto one surface

OpenNRCS is available to MediaGuard partners. Tell us about your newsroom and what your team produces, and we will take it from there.

Newsletter

Get updates from the field

Occasional updates on our programs and products. No spam.